Abstract 87
Levin Jacob
Levin Jacob
Margamkali: The Construction of Narratives to
Construct an Identity
Abstract
This
paper aims to look at Margamkali, a traditional dance form of the Syrian
Christians of Kerala, as a crucial form of narrative. The paper would argue
that as part of oral literature, Margamkali, has enabled the Mar Thoma
Christians to form a sense of identity. Claimed to be developed in 4 A. D,
Margamkali depicts the arrival of St. Thomas in Kerala to spread “God’s words”,
and therefore considered as old as the Christian community of Kerala.
These
narratives are central to the debates revolving around the origin of Syrian
Christians. This paper would try to trace how these narratives significantly
helped the construction of the Syrian Christian community. The attempt is also
to understand how these narratives helped the community to isolate themselves
from the ‘other’ (natives), while they have taken ideas (where it has a very
close association with the mythologies of India), rhythm (of Carnatic music)
and the style from the Dravidian dance and music tradition. The Syrian
tradition (the tunes remind one of the tunes of the Syrian liturgy) has its
contribution to these dance and musical traditional. The research is an attempt
to analyse the ‘real’ identity of a Malayali Syrian Christian which is
intervened by both Hindu and Syrian traditions.
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