Abstract 17. Nandana S Pillai
The Voice of Dissent in Aravind Adiga’s The White Tiger
abstract
Aravind
Adiga’s debut novel The White Tiger
depicts the different layers of corruption infiltrating the contemporary Indian
scenario, be it in the form of politics or religion. In particular it explores
the theme of casteism as a form of social dissent, in the Indian society. The
novel portrays how the multifarious country called India, despite her rich
cultural heritage and legacy, is still entrenched in the evils of class-divide.
The White Tiger is a challenging
piece of literature of dissent, in the sense that the protagonist, who is a
Dalit, is a symbol of ‘change’ rather than of ‘oppression’. As the story
unfolds, the author unveils life in the rural hinterlands of India and narrates
the story of an underpaid Dalit chauffeur rising beyond his caste to become a
successful entrepreneur; unfortunately at the price of losing his own morality,
sensitivity and humanism. My paper intends a reading of the novel from the
Dalit perspective of the protagonist, within a Dalit theoretical framework, and
would like to delve into the nuances of the creation of a successful
entrepreneur in spite of the social oppression experienced by the protagonist
at every step in life.
Aravind
Adiga is a thirty-four year old Indian diasporic writer and journalist. A
former correspondent of TIME magazine, he is currently settled in Mumbai. He is
the fourth Indian to be awarded the Man Booker, the other three being Salman
Rushdie, Arundhati Roy and Kiran Desai.
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