Abstract 18. Anilesh TT
The Corporal meets the Spiritual: De-stereotyping
the Indian Ascetic Body:
A Study on the Life and Select Vachanas of Akka Mahadevi
A Study on the Life and Select Vachanas of Akka Mahadevi
Abstract
ANILESH T. T.
Human body, which was confined within the physicality
in the past, is not anymore an ‘essential’ concept. Since the emergence of
Semiotics, the body has been considered a sign, an arbitrary blending of a
signifier and signified(s). The Poststructural theories further this notion and
argue that the body is a cultural construct rather than a natural entity. This
argument is based on the assumption that there is no unalloyed body with a
singlular signification, but there are bodies on which a multiplicity of
meanings are inscribed and infused. The responsibility of this ‘inscription’
lies in the agencies that hold power in a culture, and the infused meanings
will consequently facilitate the ideologies of such agencies. The corporality
of the body, in this sense, is a cultural site in which the subtle political
ideologies are deftly imposed. So, it can be argued that the apparently unified
or non-contradictory bodies should be suspected of having subtle hegemonic
mechanisms in their formation. As a corollary to this, an investigation into
such ‘commonplace’ bodies may have the effect of the subversion of a power
structure.
As far as this paper is considered, the body which is
investigated and analysed is that of Akka Mahadevi or Mahadeviakka, the 12th
century Kannada poetess who wrote several vachanas(poems which are meant to be
sung) which revolutionised the patriarchal mind-set of Karnataka and South
India in general. She is reported to
have broken all family ties including that with her husband and left home naked
asserting her single-minded love for her divine lover/husband, Chennamallikarjuna.
She is now considered a prominent figure in the field of female emancipation
and a person of rebellious mystic vision. She is also read as an epitome of
ascetic tradition of India, which made a dichotomy between this world and the
other world, earthly and ethereal, and body and spirit. Indian hard-core
asceticism has always condemned the body which is read as the nemesis of the
uncontaminated and uncontaminable spirit. But, a careful reading of Akka’s life
and her vachanas will reveal that she was never an ascetic of stoic ideal. Body,
for Akka, was not a potential tempter to be suppressed. Rather it was something
to be accepted, celebrated and transcended. Her addressing of
Chennamallikarjuna in highly erotic terms is apparently antithetical to the
age-old Indian acetic tradition. In this regard, Akka can be seen
deconstructing the dichotomy between the corporal and the spiritual, and even
proclaim the dissenting statement that spiritual can be erotic too.
However, my attempt in this paper is to analyse the
life and concerned vachanas of Akka Mahdevi to retrieve the erotic elements
that lie beneath the lines of Akka’a vachanas and foreground its iconoclastic
and spiritual potential in the discourse. The endeavour simultaneously attempts
to de-stereotype not only her body but also the body of the Indian asceticism
that silences the natural bodily urges which are to be transcended and not
suppressed and stifled.
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